{"id":5105,"date":"2020-01-23T21:11:54","date_gmt":"2020-01-23T17:41:54","guid":{"rendered":"http:\/\/gilgameshmag.com\/en\/?p=5105"},"modified":"2020-01-23T21:15:21","modified_gmt":"2020-01-23T17:45:21","slug":"wild-paints-and-faux-weaves","status":"publish","type":"post","link":"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/","title":{"rendered":"Wild Paints and Faux Weaves"},"content":{"rendered":"[vc_row][vc_column][vc_column_text]\n<p><em>Author: Zahra Hemmati\/ Translated by: Mahsa Delavar\/ Photo: Narges Kazemi<\/em><\/p>\n<p style=\"text-align: justify;\">A Lo<span style=\"font-size: inherit;\">ng the Caspian Sea\u2019s southern coast, heading westwards in the direction of the Alborz Mountains, lies the province of Guilan. A land in technicolor. A realm of rain and forests; of rivers and tides. Habitat to a plethora of local and migrant birds alike. Indeed, Guilan is renowned as a landscape of immense beauty and vibrancy. One may undoubtedly see this fact reflected through the clothing of the Guilak (Guilani) people; especially in the costumes of the womenfolk. Guilak culture has truly withstood the test of time, and one can see the evidence of their style bequeathed over the generations simply by walking through the streets and neighbourhoods of Guilan; it is as though one were experiencing a parade of heritage. Today the lifeblood of Guilak culture is thriving, and remains prevalent in ceremonies and celebrations.<\/span><\/p>\n<p style=\"text-align: justify;\">This article analyses in detail the traditional Guilak dress&#8230;<\/p>\n<p style=\"text-align: justify;\">Find more on:<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/gilgameshmag.com\/en\/product\/spring-issue-2018\/\">https:\/\/gilgameshmag.com\/en\/product\/spring-issue-2018\/<\/a><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Author: Zahra Hemmati\/ Translated by: Mahsa Delavar\/ Photo: Narges Kazemi A Long the Caspian Sea\u2019s southern coast, heading westwards in the direction of the Alborz Mountains, lies the province of Guilan. A land in technicolor. A realm of rain and forests; of rivers and tides. Habitat to a plethora of local and migrant birds &hellip;<\/p>\n","protected":false},"author":32,"featured_media":5106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[812,824],"tags":[246,825,847],"class_list":["post-5105","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-study-2","tag-gilgamesh","tag-gilgameshmagazine","tag-guilak"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wild Paints and Faux Weaves | Quarterly on Cultural Heritage, Tourism and the Environment<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wild Paints and Faux Weaves | Quarterly on Cultural Heritage, Tourism and the Environment\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] Author: Zahra Hemmati\/ Translated by: Mahsa Delavar\/ Photo: Narges Kazemi A Long the Caspian Sea\u2019s southern coast, heading westwards in the direction of the Alborz Mountains, lies the province of Guilan. A land in technicolor. A realm of rain and forests; of rivers and tides. Habitat to a plethora of local and migrant birds &hellip;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/\" \/>\n<meta property=\"og:site_name\" content=\"Quarterly on Cultural Heritage, Tourism and the Environment\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-23T17:41:54+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-01-23T17:45:21+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/gilgameshmag.com\/en\/wp-content\/uploads\/2020\/01\/IMG_20200123_094358.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"600\" \/>\n\t<meta property=\"og:image:height\" content=\"400\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"gilgameshmag\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"gilgameshmag\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/\",\"url\":\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/\",\"name\":\"Wild Paints and Faux Weaves | Quarterly on Cultural Heritage, Tourism and the Environment\",\"isPartOf\":{\"@id\":\"https:\/\/gilgameshmag.com\/en\/#website\"},\"datePublished\":\"2020-01-23T17:41:54+00:00\",\"dateModified\":\"2020-01-23T17:45:21+00:00\",\"author\":{\"@id\":\"https:\/\/gilgameshmag.com\/en\/#\/schema\/person\/33d0a64a836bde049acbf649d744d3a5\"},\"breadcrumb\":{\"@id\":\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"\u062e\u0627\u0646\u0647\",\"item\":\"https:\/\/gilgameshmag.com\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Wild Paints and Faux Weaves\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/gilgameshmag.com\/en\/#website\",\"url\":\"https:\/\/gilgameshmag.com\/en\/\",\"name\":\"Quarterly on Cultural Heritage, Tourism and the Environment\",\"description\":\"Quarterly on Cultural Heritage, Tourism and the Environment\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/gilgameshmag.com\/en\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/gilgameshmag.com\/en\/#\/schema\/person\/33d0a64a836bde049acbf649d744d3a5\",\"name\":\"gilgameshmag\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Wild Paints and Faux Weaves | Quarterly on Cultural Heritage, Tourism and the Environment","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/gilgameshmag.com\/en\/5105\/wild-paints-and-faux-weaves\/","og_locale":"en_US","og_type":"article","og_title":"Wild Paints and Faux Weaves | Quarterly on Cultural Heritage, Tourism and the Environment","og_description":"[vc_row][vc_column][vc_column_text] Author: Zahra Hemmati\/ Translated by: Mahsa Delavar\/ Photo: Narges Kazemi A Long the Caspian Sea\u2019s southern coast, heading westwards in the direction of the Alborz Mountains, lies the province of Guilan. A land in technicolor. A realm of rain and forests; of rivers and tides. 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